DOI: https://doi.org/10.9744/dimensi.44.2.171-178

DESIGN FOR ENVIRONMENT AND FORM FINDINGS THROUGH DIGITAL FABRICATION

Stephanus Evert Indrawan

Abstract


The material processing for the needs of architectural, interior and furniture products were done manually all this time. Woodworking machinery (one of them is CNC) and CAD-based software were only been maximized as supporting tools to increase the speed of working process, resulting the outcome products were limited to manual working outcome only. This recent research on form processing aims to maximize the optimal use of material in the contexts of achieving structural ability and complex form. Plywood material becomes the focus in this research, due to its most frequent use in architecture, interior, and product design. With its texture that resembles the characteristics of original wood and its sheet-shaped form, this plywood material is easy to process and environmentally friendly. Digital fabrication enables the designer in design process and simulation through software to shorten the prototyping process which usually took loads of materials, thus can reduce the materials waste. The project that presented is an example of design production with physical examples.


Keywords


Digital fabrication; design; architecture; interior; products.

Full Text:

PDF

References


Balmond, Cecil. 2006. Serpentine Gallery Pavilion 2005: Alvaro Siza and Eduardo Souto De Moura. ed. Hans-Ulrich Obrist. Trolley Books; illustrated edition edition (March 1, 2006), pp. 75-80

Iwamoto, L. (2009). Architectural and Material Techniques, Princeton Architectural Press., New York, pp. 10-14.

Oehlberg, L., Bayley, C., Hartman, C. & Agogino, A. (2012). Leveraging Technology for a Sustainable World, eScholarship, California, pp. 221-224.

Celani, G. (2012). Digital Fabrications Laboratories: Pedagogy and Impacts on Architectural Education. Journal Nexus Netw, 14, pp. 469–482.

Crow, K. 2002. “Design for The Environment.”, pp. 45-50

Gillkvist, O., Henriksson, V. & Pulsen, E. (2016). Design and Fabrication of Full scale Exhibition Structure in Plywood, Chalmers University. pp. 15-20.

Images Publishing Group. 2006. Jakob + Mac Farlane: NEO Architecture. pp. 38

Moholy-Nagy, László. 1938. The New Vision: Fundamentals of Bauhaus Design, Painting, Sculpture, and Architecture. Dover Publications (January 18, 2005), pp. 23.

Spuybroek, Lars. 2016. The Sympathy of Things: Ruskin and the Ecology of Design 2nd Edition.

Oxman, Rivka. 2010. “The New Structuralism: Design, Engineering and Architecture Technologies AD Architectural Design.” AD Architectural Design, 4: 80.

Sass, L. (2006). Synthesis of design production with Integrated Digital Fabrication, Automation in Construction, 16, pp. 298-310.

Telenko, Cassandra, Seepersad, C.C. & Webber, M. E. (2009). “A Method for Developing Design for Environment Guidlines for Future Product Design.” Proceedings of the ASME 2009 International Design Engineering Technical Conferences & Computers & Information in Engineering Conference IDETS/CIE 2009: 12.

Odum, H.T. & Odum, B. Concepts and Methods of ecological Engineering. Ecollogical Engineering. 20, pp. 339-361.

Pottmann, H., Schiftner, A. & Wallner, J. (2008). Geometry of Architectural Freeform Structures. International Mathematic Nachrichten. 209, pp. 15-28.




DOI: https://doi.org/10.9744/dimensi.44.2.171-178



Template DIMENSI

The Journal is published by The Institute of Research & Community Outreach - Petra Christian University. It available online supported by Directorate General of Higher Education - Ministry of National Education - Republic of Indonesia.

©All right reserved 2016.Dimensi, ISSN: 0126-219X, e-ISSN: 2338-7858

 

shopify visitor statistics
View My Stats